Christopher Brean Murray

The American Redstart

I searched for the American Redstart.
I'd wasted time in the basement
of dejection, inspecting flecks
and sifting through ash.
The arboretum of unbridled hope
was gone, like 8-track tapes
and darkrooms. The American Redstart
had been known to frequent
the thicket behind my house.
I’d seen it once, but I dropped my skis
and it vanished. Remnants of jade
appeared in The Anthology of Dissolution,
and somewhere a nephew coughed.
The American Redstart
is not the witch ball of indecision.
It’s an anchor of actuality
on a lush slope of figs.
It’s the honeysuckle of spark plugs
on an afternoon of transoms.
The chimney swift’s doctrine
confirms this. The spittle of disingenuous levees
may be as inescapable
as the excommunication of reason,
but I persist in my quest.
The adoration of pyrite
is no joke. The effluvium of boxwood
contends with the fragrance of jasmine,
but none of this will result
in the mortification of the monologue.
The nitrogen of brilliance
cannot be verified objectively.
Yet such a sanctioning
is not required. Years ago
I praised the vertigo of skylarks
as if that were the only thing.
Now, the drumstick of disbelief
has been tossed to the crevasse
of oblivious chatter. An oriole
alights on my sill, and I salute it
for its presence. Still, I persist
in my task like a monsoon of minivans
en route to a zealous precinct.

Christopher Brean Murray’s book, Black Observatory (Milkweed Editions), was chosen by Dana Levin as the winner of the 2022 Jake Adam York Prize and was listed by The New York Public Library as one of the Best Books of 2023. He lives in Houston, TX.

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