Dion O’Reilly

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On the Other Hand: Surprise Saves Me

Like the exact moment after the smell of buttered toast
makes me feel safe, before I remember my grandmother

might have started my mother’s violence.

I think one thing, then something else, like it’s not
that I was beaten, it’s that my mother loved to beat me,

and her love felt sexual.

When I tell my therapist my mother killed kittens as a child,
she answers, I’m surprised she didn’t rape you with enemas,

and I say, She did!

And then I feel stupid, like: why didn’t I know my mother
is another psychopath

in a long line of psychopaths?

In some way, I felt safe because I didn’t know
what I was up against. Thank god evil

takes me by surprise again and again.
Or else, what kind of person would I be?


The Man at Pleasure Point

Shirtless in board shorts, jerked by salt and sun, a stogie
stubbed between his stained lips, crinoline creases below his
armpits, the aged dichotomy of atrophied limb versus
loppy belly, he sits with surf dudes who no longer surf,
points at waves, arcs his leathered arms and torques his
torso to get tubular in his mind. Once at The Point parking
lot, he handed me a Converse sneaker, bleached, sole-worn,
stuffed with soil enough to hold a thready succulent. “Want
this?” he asked. “It was my wife’s.” He spoke of their stunned
attraction, thirty-year union, her agonized decline.
Yesterday, he approached again, asked if I wanted her
wetsuit for ten bucks, asked if I believed in the afterlife,
recounted, again, the tale of his loss: she believed in
reincarnation, lived again in crows, left feathers in his yard,
crowded out jays, shrilled from power lines, boasted her
blackness on green lawns. The sun shriveled us, a floating
otter beat a clam. She dressed in velvet, drew pentagrams in
dust, ate ayahuasca, time traveled in her sleep. “I’ll buy your
wetsuit,” I said and handed him a five. Now, it corner-lurks
on a hanger, tempts me to I-don’t-know-what. It’s black, of
course, and off-gasses an amber smell, sometimes pot or
patchouli. Its sponginess is attractive, yet off-putting. Empty
shadow, hollow arms, faceless manikin, silent and solid
while my walls and windows, my freckled skin, my lost
beloveds, like a murderous flock, untree themselves and
shake up the sky.

Dion O’Reilly is the author of three poetry collections: Sadness of the Apex
Predator, a finalist for the Steel Toe Book Prize and the Ex Ophidia Prize;
Ghost Dogs, winner of the Pinnacle Book Achievement Award and The
Independent Press Award for Poetry; and
Limerence, a finalist for the John
Pierce Chapbook Competition, forthcoming from Floating Bridge Press.